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Hello, and welcome to the All Eighties Movies podcast podcast,
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where we talk about the blockbusters, love loves, and everything
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in between from one of the precious decades from movies,
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the nineteen eighties. Her host Bill Bant. Along with you
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on this journey revisiting eighties movies is my co host
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Jason Massek.
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Hello, Jason, dar The gods have put that mark on you,
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and someday you'll find out why. Till then, this mark
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will be your guide. My sword and my copa will
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be your trusted companions, protect a email, your home, and
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if anything should happen to me, look for our enemies
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at the gems, and you may search for your destiny
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in the valley of a rook.
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That's right, listeners, we are discussing with spoilers. The Plenty
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the nineteen two fantasy adventure The Beast Master. It was
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produced by the Leisure Investment Company and distribed it by
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mgm UA Entertainment Company. The movie stars Mart Singer, Tanya Roberts,
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John Amos, and Rip Torn. Directed by Don Coscarelli, this
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movie is rated at PG with the running time of
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one hour and fifty eight minutes. Is loosely based on
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the nineteen fifty nine novel The Beast Master by Alice Norton.
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So what is this movie about? What's on the box?
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If you grow up the nineteen eighties and what's your
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local video store to rent this movie? You would find
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this description on the back of the VHS box. It
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is what's on the box? Take it away, Jason.
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Set in a wild and primitive world, The Beast Master
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is the gripping tale of a mythical hero engaged in
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a life and death struggle with overwhelming forces of evil.
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Filmed by Academy Award winning cinematographer John Alcott, it boasts
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spectacular sets, a topknot cast, and spine tingling action. Mark
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Singer stars as Dar, the sole survivor of a barbarian massacre.
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Determined to take his revenge. A golden warrior born with
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the courage of an eagle and the strength of a
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black panther, Dar must nevertheless face awesome enemies that threaten
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his destruction. At his side is Tanya Roberts, a heroic
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slave girl who battles the barbarians with a fervor equal
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to Dar's own. New horrors await them at every turn,
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a witch that crawls backwards across the ceiling. A race
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of cannibalistic Batman and rip torn as may Ax, the
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high priest of a fiendish cult, whom Dar must meet
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and destroy if he is to survive. Though far outnumbered,
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the forces of good are abetted by a supernatural secrets
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revealed to you in the heart pounding climax of the
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beast Master.
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Beast Master. So that was What's on the Box. Let's
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move on to our eighty snapshot as we highlight some
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of the creative forces from this movie. Jason, who do
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you have?
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I will tell you in just a moment. Bill Bant.
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First of all, it's just a pleasure to be doing
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this with you today. I'm really looking forward to this one.
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At the end of the What's on the Box segment,
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there is this supernatural secret revealed that is mentioned. What
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are they talking about? I have to ask you this
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because I keep reading this and I'm like, what is
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there something that I missed at the end of this movie?
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Was there a huge reveal?
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There is not. I have no idea, Okay.
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So I'm just What's on the Box segment just threw
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me for a moment there, and I love that What's
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on the box synopsis up to that point through me
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for a loop. All right, all right, enough of that,
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Let's get into The beast Master a little bit. Starting
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with our eighties snapshot. I chose Mark Singer, of course,
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in the titular role of the beast Master aka Dar.
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Mark Singer's career goes back to the seventies when he
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did a lot of TV appearances, but getting right to
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his eighties. He did do five episodes of a show
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called The Contender nineteen eighty. He does a bunch of
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TV movies, a film called If You Could See What
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I Hear? That's in nineteen eighty two. He does this
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The beast Master in eighty two, then the other thing.
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He's most known for playing the role of Mike Donovan
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in a couple episodes of V in nineteen eighty three,
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then three more episodes as Mike Donovan in the series
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V The Final Battle in eighty four. He does three
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episodes of The Love Boat in eighty four, and of
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course the nineteen episodes of the actual TV series V
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from eighty four to eighty five. He does twelve episodes
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of Dallas in eighty six, then more episodic TV ranging
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from the Twilight Zone to murder She wrote in The
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Hitchhiker from eighty eight to eighty nine. He does reprise
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his role as Dar in bast Master two Through the
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Portal of Time in ninety one, and again in the
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ninety six TV movie sequel beast Master three The Eye
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of Braxis. He does the voice of man Bat in
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Batman the Animated Series for three episodes in nineteen ninety two,
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which I thought was interesting because it's kind of a
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callback to The Beast Master where we have some man
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bats he does, you know. Just after that a bunch
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of TV B movies. He shows up twenty two episodes
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of The Youngerman The Restless in ninety nine, and then
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reprises his role again as Dar or should I say
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Dartanis in six episodes of The beast Master TV show
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from two thousand and one to two thousand and two.
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He shows up in a TV reboot a V for
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an episode, just one episode in twenty eleven, but not
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as Mike Donovan, instead a new character named Lars Tremont.
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And that's all you really need to know, just a
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little bit of trivia. Mark Singer is the brother of
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actress Lori Singer. We know her from Footloose, of course,
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which we covered on this very pod. He's got a
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couple other siblings, brothers Claude Singer and Gregory Singer, and
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he is the cousin of director Brian Singer. Mark Singer
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is also black belt and kung fu, and along with
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a Jane Badler, he is one of only two actors
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to appear in both V from eighty four and VV
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in two thousand and nine. That's Mark Singer for you.
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Who do you Got for your eighties? And Snapshot?
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I have co writer and director Don Coscarelli Junior, who
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was born in North Africa but was raised in southern California.
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At just nineteen years old, Coscarelli became the youngest director
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to have a feature film distributed by a major studio
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when The Jim, the World's Greatest and independently British Drama,
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was picked up by Universal Pictures. Don is best known
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for creating the cult horror classic Phantasm from nineteen seventy
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nine and its sequels, the series that earned him a
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lasting reputation in the genre. Phantasm was a highly imaginative
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and surreal freight thriller that marked Coscarelli's breakthrough in the
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horror world. In two thousand two, he directed the offbeat
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cult hit Boba Hoopetet, starring horror icon Bruce Campbell. The
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film features a bizarre yet memorable premise. Elvis Presley and
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a man claiming to be John F. Kennedy reside in
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a Texas rest home, where they must battle a three
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thousand year old cowboy mummy feeding on the souls of
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the elderly costco. Corelli's other works from the eighties include
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phantasand two from nineteen eighty eight and the adventure thriller
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Survival Quest from nineteen eighty nine, which starred Lance Hendrickson, Dermot,
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Marooney and Catherine Kinnear. That's writer director Don Cascarelli junior stuff.
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So this leads us to earliest memories. We're the earliest
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memories of beast Master. Now, Jason, I was super surprised
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to find out this is the first time you've seen
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beast Master, which I don't know how the hell that happened.
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That movie was on every day from eighty three to
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eighty nine on some sort of cable channel. How did
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you miss this movie? Please explain?
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Yeah, I don't think super Surprised even covers it. It's
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absolutely one thousand percent extreme and wild that I never
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saw this, and that is a fact. I was searching
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my memory to try at least to remember some of
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the like snippets that I may have caught a clip
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here and there, and I must have come across it
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at some point and saw a scene or something, but
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I just never sat down and watched it in its
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entirety for some reason. So it really is one of
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those crazy, how the hell have I never seen this
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movie scenarios? But it's true. I mean, despite its incredible
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run on cable television and HBO, it got past me.
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It's all I can say. I was well aware of it.
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I knew what it was, I knew about the story
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somewhat loosely. I mean, it's pretty obvious, so I think
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I'd seen trailers for it, and I remember seeing images
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of Mark Singer looking totally ripped. I knew there was
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a hot lady in it. And speaking of which, it's
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one of those things. If I had recorded this way
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back when in the eighties on VHS, I would have
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worn the tape out, rewinding it and playing any scene
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featuring Tanya Roberts. But probably after seeing this movie today,
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I would have just rewounded and watched it a trillion times.
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I can see how watching this as a kid would
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have been an absolute blast. But honest, I never saw it.
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That's all I can say. I have no excuse Bill.
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Band Oh good, I guess.
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Bill bad is left speechless. It's insane.
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But hey, we finally got you to watch it, so
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that's all that.
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Matters, right. It only took forty years for me.
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My dad introduced me to this on cable on HBO,
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and I fell in love with it for the first time.
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And yeah, it was one I did record on BHS
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and I don't know why I needed to, because it
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was on so frequently. I mean, I would watch this
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movie over and over and over again. If I look
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back on the movies I watched in the eighties, the
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Beast Master would have to be in the top ten.
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And is it a quality movie like some of the
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others I watched. No, But it just had a lot
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of fun elements to it, and if it was on,
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I stopped what I was doing and would watch it.
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So thanks Dad. Darr for me was up there with
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Indiana Jones and Luke Skywalker's how much I love that character,
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and it just had everything for me.
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Right.
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It was a cable watch in between HBO and TBS.
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It was on all the time and there was no
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stopping me from watching it.
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Yeah, that's great stuff, man, I totally see it. It
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makes complete sense. This is the kind of movie that
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just captures a boy's imagination, any young kids, teenager's imagination.
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It's just Taylor made for that. And also I love
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the idea of trying to figure out what eighties movie
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you watched the most on VHS as a kid. It's
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just great because for me, I believe probably the film
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I watched the most outside of Star Wars of course,
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would be Aliens. I think that's the one I watched
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the most. There was a summer I think I watched
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Aliens probably fifty times. Like it was something stupid, it
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was ridiculous. But I wished I had seen this now
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as a kid. But are we ready to get in
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some initial thoughts of the beast Master.
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Yes, let's get into it. What do you got?
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Well, you know, I just said this is Taylor made
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for like a boy's imagination because it's fantasy adventure, and
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I As I've said many times, love mythology and lore.
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Just in this movie is Conan the Barbarian meets Templa
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Doom meets Clash of Titans meets Doctor Toolittle and maybe
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a touch of manimal. But Bill bent this thing. I'm
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watching it for the first time. I'm like, this is
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just loaded. It's got an evil high priest, crazy f
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and witches, death Guard, the jun Horde, and cool animals
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and sword and sandal adventures, hot ladies, a ripped dude,
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a fun mythos origin story, a prophecy, and this background
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lore of far away lands. It's the chosen one who
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has the marketing or the special brand. It's the hero's
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journey to rescue the princess or in this case a
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slave girl or slash trove warrior. As we find out,
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it's got all the archetypes. So they really throw everything
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in this along with the Kitchen Sink. Is there any
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other film you want to throw in there that you
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can compare it to, either that it steals from or
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borrows from.
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So many movies Likeme Out in the early eighties with
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scantly clad women and warriors running around with their swords.
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Yeah, yeah, that's that's exactly right. We could just that's
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we should rename the genre instead of sword and sandal
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or sword and sorcery, it should just be buff dudes
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running around swords. So you know what else is really
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featured in this that we love, Bill Bant? Butt cheeks?
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Yes, tons, tons and tons of butt cheeks.
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Or more like side butt cheeks we get. We get
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a lot of loin cloth in this and you just
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get a lot of a lot of skin in this film.
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So the movie starts and I'm like, we got some
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strong music here right from the beginning from composer Lee Holdridge.
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Felt a little similar to the Battle Star galactic theme
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for me, but that's just me. It's still solid. Love
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it some good music to start with, and I'm like, okay,
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we're off to a good start. And you know what,
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Bill Bant, it's always good to see John Amos's name
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in the credits, like with John Amos is in this,
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I love that guy, all right. Really off to a
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good start here. When the movie begins, we get some